Georges Autard

Georges Autard began painting in 1975 while studying mathematics at university. He entered the art scene in the early 1980s with works that featured mathematical formulas, often displayed on large black canvases. Between 1982 and 1984, he created object-based pieces (Glasses, Jackets, Bicycles), still marked by his scientific background.

In the 1990s, his style shifted toward a more expressive and narrative approach. He started blending religious symbols (crosses, nails) with mathematical references (like Pythagoras), using rich materials, bold colors, and layered meanings. His works often play with wordplay and visual codes to connect different ideas—logic and spirituality, for example.

Starting in 1998, his frequent travels to Ladakh, Zanskar, and Japan deeply influenced his work. These experiences inspired abstract and semi-figurative series tied to Tibetan and Zen Buddhism. He also began referencing artists like Cézanne, Monet, Picasso, and Beuys, while maintaining a strong creative freedom.

Despite the diversity of styles and techniques, critics note a striking coherence in Autard’s work—an art that combines theory, emotion, and a strong sense of the contemporary.